The Miskatonic Institute of Horror Studies – London Presents: A RESTORATION OF ‘NOSFERATU’ (1922) at The Horse Hospital April 19th!
The Miskatonic Institute Horror Studies – London welcomes Watchmaker Films founder Mark Rance to discuss the proccess and importance of film restoration while putting a spotlight on his challenging work on the NOSFERATU release.
This show-and-tell lecture will illustrate many of the issues encountered and (with varying degrees of success) resolved in a digital restoration of Murnau’s NOSFERATU. We will begin with a description of the original production and the technology used to make the film. The film’s own troubled history complicated the film’s physical reconstruction, and that impacted the digital restoration. The reconstructed master print was made from many disparate elements, as a single negative was simply not available. We will examine many scenes and shots in a side-by-side comparison of the unrestored reconstructed print and the digitally restored version of the same material. As we do, this talk will investigate many of the problems faced by any restoration team when not all the original elements are available. We will examine the use of VFX tools, grain management, tinting processes and photo-chemical to digital translation issues when restoring motion pictures.
This talk will primarily explore the complex and subjective issues currently floating around in many analog-versus-digital discussions of film and how those opinions can influence the determination of what the restored version should look like if the goal is to replicate the original projected image at the time of first release. Can digital restorations generate valid preservation copies of photo-chemical materials? Let’s find out.
About the Instructor: Mark Rance is a documentary filmmaker who for many years was a producer at The Criterion Collection before forming his own company in Los Angeles and producing DVDs and Blu-rays for the Hollywood studios. His titles include THE SILENCE OF THE LAMBS, ROBINSON CRUSOE ON MARS, HARD EIGHT (aka SYDNEY), BOOGIE NIGHTS, MAGNOLIA, SEVEN, I,ROBOT, THE PRESTIGE, RESERVOIR DOGS and THE DARK KNIGHT. He moved to London in 2004 and established Watchmaker Films to restore and distribute lost independent films. Those restorations include Eagle Pennell’s THE WHOLE SHOOTIN’ MATCH and LAST NIGHT AT THE ALAMO; Tobe Hooper’s first feature, EGGSHELLS; and Jack Hazan’s A BIGGER SPLASH.
The Miskatonic Institute of Horror Studies – London – A Restoration of ‘Nosferatu’ (1922)
Date: April 19th 2018
Time: 7:00pm-10:00pm
Venue: The Horse Hospital
Address: Colonnade, Bloomsbury, London WC1N 1JD
Prices: £10 advance / £11 on the door / £8 concs (students/seniors with ID)
www.miskatonic-london.com
https://www.miskatonic-london.com/events/a-restoration-of-nosferatu-1922/
About the Miskatonic Institute of Horror Studies: Named for the fictional university in H.P. Lovecraft’s literary mythos, the Miskatonic Institute of Horror Studies is an international organization that offers university-level history, theory and production-based masterclasses for people of all ages, founded by film writer and programmer Kier-La Janisse in March 2010, with regular branches in London and New York as well as presenting special events worldwide. The UK branch is co-run by Janisse and Josh Saco, of Cigarette Burns Cinema.
